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Recently I was asked to record the ADR or overdub for a kids drama series. Being freelance often means prep time isn’t factored into your booking, which means you need anything and everything that can help you work faster on the day to get the job completed on time, to a high standard.
We recently caught up with Charles Fathy CEO of Encore Voices and Creative Director at Roundabout Entertainment to get his insights on localization technology and its impact on dubbing for animation.
We recently caught up with Belynda Groot| Head of Localisation & Compliance, Kids Content at Turner Asia Pacific to get her thoughts on the future of localisation technology for animated sitcoms.
We recently caught up with Gus Borner, President, and the team at IGLOO MUSIC, one of the industry’s leading operators based in Burbank California, USA to get their thoughts on the future of localization technology for music production and audio post-production.
We recently caught up with Sean Patrick O'Reilly | Entreprenuer at Arcana in British Columbia Canada to get his thoughts thoughts on the future of animation and localisation. Sean comments on the importance of intuitive tech for time economy and quality in the animation and publishing sectors.